curating exhibitions and events
Anne Massey has curated exhibitions and events at the Hatton Gallery, the ICA, Millais Gallery and Tate. She has extensive experience of organising conferences and symposia including:
Co-organiser of Surrealism in Britain symposium, UCA 2021
Co-organiser of Design and Time, the Design History Society Annual conference, Middlesex University, September 2016
Organiser of ‘’The Value of Making’ at Modern Art Oxford, 10th May 2014
Co-organiser of ‘What is this Pop?’ at Richmond University, 29th November 2013
Invited keynote speaker, Interior Worlds Congress, Amsterdam, September 2013
Invited speaker, Warsaw Museum of Modern Art, Poland on ‘The Interior Spaces of Ocean Liners’, May 2013
Organiser of ‘Parallel of Life and Art: Exhibitions and the Independent Group’, ICA April 2013
Organiser of ‘BUNK: Celebrating 60 Years of the Independent Group’, ICA, April 2012
‘Ephemeral’, Interior Wor(l)ds Conference, Faculty of Architecture, Milan Polytechnic, October 2010.
Joint organiser, with Bridget May, Marymont University, Virginia, USA Looking into the Modern Interior: History, Theory and Discipline in Education and Practice Atlanta, Georgia
March 23-24, 2010
Invited speaker at Plenary and contributor of paper, ‘The changing face of British national identity: the interior design of ocean liners’, 5th Jubilee Conference on the History of Transport, Traffic and Mobility, T2M, Helmond, the Netherlands, October 2007.
Co-organiser with Victoria Walsh and Nigel Whiteley of ‘Between Concept, Practice and Discipline: The Legacy of the Independent Group in the Digital Age’, Tate Britain, March 2007.
Convener of strands Order and Chaos II and Evolution and Architectural Context, and contributor of paper ‘From Type Form to Typology: the Ocean Liner’ at Design and Evolution, Annual Conference of the Design History Society, TU Delft, September 2006
Convener of the strand Moving Design and contributor of paper ‘Chandeliers on the Great Eastern: Hierarchies of Luxury Afloat’ at Locating Design, Annual Conference of the Design History Society, London Metropolitan University, September 2005.
Invited paper on ‘Lawrence Alloway, the Father of Visual Culture?’ at International Conference, Abstraction’s Utopia: Politics of Perception in the Extended Field of Visual Culture Université François-Rabelais, Tours, France, May 27, 2005.
Joint organiser and contributor to Modernity, Modernism and the Interior 1870-1970, 7th Annual Dorich House Conference, Kingston University, May 2005. Paper delivered: ‘From Chintz to Formica: Constructing National Identity in the Age of Modernism’.
Co-organiser of Surrealism in Britain symposium, UCA 2021
Co-organiser of Design and Time, the Design History Society Annual conference, Middlesex University, September 2016
Organiser of ‘’The Value of Making’ at Modern Art Oxford, 10th May 2014
Co-organiser of ‘What is this Pop?’ at Richmond University, 29th November 2013
Invited keynote speaker, Interior Worlds Congress, Amsterdam, September 2013
Invited speaker, Warsaw Museum of Modern Art, Poland on ‘The Interior Spaces of Ocean Liners’, May 2013
Organiser of ‘Parallel of Life and Art: Exhibitions and the Independent Group’, ICA April 2013
Organiser of ‘BUNK: Celebrating 60 Years of the Independent Group’, ICA, April 2012
‘Ephemeral’, Interior Wor(l)ds Conference, Faculty of Architecture, Milan Polytechnic, October 2010.
Joint organiser, with Bridget May, Marymont University, Virginia, USA Looking into the Modern Interior: History, Theory and Discipline in Education and Practice Atlanta, Georgia
March 23-24, 2010
Invited speaker at Plenary and contributor of paper, ‘The changing face of British national identity: the interior design of ocean liners’, 5th Jubilee Conference on the History of Transport, Traffic and Mobility, T2M, Helmond, the Netherlands, October 2007.
Co-organiser with Victoria Walsh and Nigel Whiteley of ‘Between Concept, Practice and Discipline: The Legacy of the Independent Group in the Digital Age’, Tate Britain, March 2007.
Convener of strands Order and Chaos II and Evolution and Architectural Context, and contributor of paper ‘From Type Form to Typology: the Ocean Liner’ at Design and Evolution, Annual Conference of the Design History Society, TU Delft, September 2006
Convener of the strand Moving Design and contributor of paper ‘Chandeliers on the Great Eastern: Hierarchies of Luxury Afloat’ at Locating Design, Annual Conference of the Design History Society, London Metropolitan University, September 2005.
Invited paper on ‘Lawrence Alloway, the Father of Visual Culture?’ at International Conference, Abstraction’s Utopia: Politics of Perception in the Extended Field of Visual Culture Université François-Rabelais, Tours, France, May 27, 2005.
Joint organiser and contributor to Modernity, Modernism and the Interior 1870-1970, 7th Annual Dorich House Conference, Kingston University, May 2005. Paper delivered: ‘From Chintz to Formica: Constructing National Identity in the Age of Modernism’.
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