teaching
Anne Massey has experience of teaching art and design students, from BA to PhD levels at Goldsmith's College, Kingston University, .Middlesex University and University of the Arts London. She has organised conferences and lectured at the Design Museum, ICA, National Maritime Museum, Pallant House, Tate and the V & A and is available for guest lectures.
Research Students Supervised with Titles
Vanessa Paynton, The Ideal Kinema.
Jen Brown, The History of Do-It-Yourself.
Alia Al-Khalidi, Menstruation in Material and Promotional Culture: The Commodification and Mediation of Female Sanitary Products in Britain, 1880-1914.
Robin Jones, The Empire of Things: Sri Lanken Furniture.
Dennis Wardleworth, Building the Modern Corporation: Corporate Art Patronage in Interwar Britain.
Hannah Rumball, The Visual Culture of Quaker Dress. (AHRC funded)
Harriet McKay, Accommodating the Passenger: Interior Design for the Union Castle Line, 1945-77. (AHRC funded CDA with the National Maritime Museum, Greenwich)
Jessica Kelly, "Ardour of the Layman": The Architectural Review and Public Discussions of Architecture.
Lyanne Holcombe, Art, Luxury and Taste: The Design and Decoration of the Regents Palace Hotel London 1890-1939.
Paddy O’Shea, BOAC and the Interior of the Jet Aircraft, 1939-74.
Claudia Marfella, Aesthetic Values of the 1950s: Gillo Dorfles and Reyner Banham and the Activities of the IG and MAC.
Daniel Davies, Serving the Empire: P&O, Design, Identity and Representation, 1837-1969. (AHRC funded CDA with the National Maritime Museum, Greenwich).
Adam Brinkworth Integration: A New Design Model for Apparel and Retail Environments (PhD by Public Works)
Zoe Hendon Looking Back and Looking Forward, the The Silver Studio Collection as heritage asset and educational resource, 1968-2018
Research Students Supervised with Titles
Vanessa Paynton, The Ideal Kinema.
Jen Brown, The History of Do-It-Yourself.
Alia Al-Khalidi, Menstruation in Material and Promotional Culture: The Commodification and Mediation of Female Sanitary Products in Britain, 1880-1914.
Robin Jones, The Empire of Things: Sri Lanken Furniture.
Dennis Wardleworth, Building the Modern Corporation: Corporate Art Patronage in Interwar Britain.
Hannah Rumball, The Visual Culture of Quaker Dress. (AHRC funded)
Harriet McKay, Accommodating the Passenger: Interior Design for the Union Castle Line, 1945-77. (AHRC funded CDA with the National Maritime Museum, Greenwich)
Jessica Kelly, "Ardour of the Layman": The Architectural Review and Public Discussions of Architecture.
Lyanne Holcombe, Art, Luxury and Taste: The Design and Decoration of the Regents Palace Hotel London 1890-1939.
Paddy O’Shea, BOAC and the Interior of the Jet Aircraft, 1939-74.
Claudia Marfella, Aesthetic Values of the 1950s: Gillo Dorfles and Reyner Banham and the Activities of the IG and MAC.
Daniel Davies, Serving the Empire: P&O, Design, Identity and Representation, 1837-1969. (AHRC funded CDA with the National Maritime Museum, Greenwich).
Adam Brinkworth Integration: A New Design Model for Apparel and Retail Environments (PhD by Public Works)
Zoe Hendon Looking Back and Looking Forward, the The Silver Studio Collection as heritage asset and educational resource, 1968-2018
A visitor at the 3 Collagists exhibition, ICA Dover Street.
A visitor at the 40,000 Year of Modern Art organised by the ICA,1948.
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Textile designed for the new ICA premises in Dover Street, 1950.
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